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Studio

Studio production

Interviews, product films, and green-screen work. Lighting, sound, and background are set before the session begins. The facility specification is separate from the filming day.

Before call

The set is lit on arrival

Half day

Interviews and presenter sessions

Full day

Products, keys, and several looks

01 / 05

Interviews

Executives, experts, and testimonials, with more than one angle and a clean track. The setup is lit before the guest arrives.

Typical scope

  • 01Executive, expert, and testimonial interviews
  • 02More than one camera angle
  • 03A quiet track and controlled light
  • 04Selects ready for the edit

02 / 05

Green screen

A key that holds, so the background can be a place, a graphic, or a clean field. The screen is lit for the composite.

Typical scope

  • 01A screen lit for a clean key
  • 02Backgrounds composited after the session
  • 03Product and presenter work on green
  • 04A finish that matches the intended background

03 / 05

To camera

A presenter, a prompt, and a frame that stays still while the words change. Useful for a script that has to be delivered precisely.

Typical scope

  • 01A locked frame and a prompted script
  • 02Several reads in one session
  • 03Versions for web, internal, and social
  • 04A grade after the day

04 / 05

Products

Tabletop, turntable, and macro, lit for the object. The session is planned around the product, the pack, and the shots the film needs.

Typical scope

  • 01Tabletop, turntable, and macro
  • 02Pack shots and detail
  • 03Controlled light for the object
  • 04Stills and motion from the same setup

05 / 05

Virtual sets

Backgrounds and compositing when a location is impractical. The foreground is shot so the composite holds.

Typical scope

  • 01Virtual places and graphic backgrounds
  • 02Compositing after the session
  • 03A foreground lit for the key
  • 04A finished picture for web or broadcast

Engagement

What a studio day includes

The room, the crew, and the finish. The organisation brings the people and the product.

  • 01A lit set before call time
  • 02Cameras, sound, and a small crew
  • 03Green screen or a plain background
  • 04A teleprompter when the script requires one
  • 05Selects and a grade after the day
  • 06Keying and compositing when the proposal includes a finish

The standard

The room is ready

Studio time is used for the session. Light, sound, and background are prepared before call.

  • 01

    A working facility

    Cyclorama, green screen, and lighting that is already in the room.

  • 02

    A picture independent of the weather

    The same light at the start of the day and at the end of it.

  • 03

    Camera and lighting for the finish

    The session is lit by people who also complete the grade and the key.

  • 04

    Footage that composites

    Shot so a key, a grade, or a graphic sits cleanly on the original.

Process

How a studio day proceeds

The length of the session is set in the proposal.

  1. 01

    Brief

    Who is in the chair, and what the film is for.

  2. 02

    Prepare

    The set, the light, and the background before call.

  3. 03

    Record

    Interviews, products, or a presenter session.

  4. 04

    Deliver

    Selects, a grade, and a keyed finish when the job requires one.

Questions

Engagement questions

Request a proposal

Tell us who is in the chair. MAP will reply with the setup, the length of the day, and a written proposal.

Request a proposal

Dubai Production City

B29, Dubai Production City, United Arab Emirates