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Live

Live event production

MAP takes the brief and is accountable for the live programme: the room, the remote audience, and the recording. How the programme is switched is the broadcasting operation.

Accountable

One team from brief to programme

Two audiences

The hall and the remote feed

The operation

Specified under Broadcasting

01 / 05

Conference broadcast

A switched programme of the stage, with graphics and a feed the hall can rely on. The run of show is the script for the day.

Typical scope

  • 01Cameras matched to the stage and the light
  • 02A vision mixer and a director on the run of show
  • 03Names, agendas, and sponsor graphics
  • 04A feed for the screens in the room

02 / 05

Full live events

Larger programmes: more cameras, a truck or a flypack, and a show that is directed from a control position.

Typical scope

  • 01Multi-camera coverage of the stage and the room
  • 02An outside-broadcast vehicle or a flypack
  • 03Audio, communications, and a backup path
  • 04A directed programme for the duration of the show

03 / 05

Hybrid rooms

The same programme for the people in the seats and the people on the link. The recording is taken from that programme.

Typical scope

  • 01One programme for the hall and the stream
  • 02A return feed for remote speakers
  • 03A recording of the programme as it went out
  • 04Session files for publication after the day

04 / 05

Several destinations

YouTube, LinkedIn, a private stream, or the event application, taken from one show. Restricted audiences stay on the private feed.

Typical scope

  • 01Public platforms and a private link
  • 02An event application when the brief names one
  • 03Encoding specified in the proposal
  • 04Separate access for a restricted audience

05 / 05

How it is produced

The switched programme, the vehicle or the flypack, and the crew are broadcasting operations. This engagement names them. It does not reprint their specifications.

Broadcast operation

Typical scope

  • 01Live and multi-camera production
  • 02An outside-broadcast vehicle when the site can take one
  • 03A flypack when the room is reached by dock or lift
  • 04Engineers and operators on the technical crew page

Engagement

What is in the rig

A live engagement is infrastructure. These pieces are specified in the proposal.

  • 01Cameras matched to the stage and the light
  • 02A vision mixer and an operator with the run of show
  • 03Microphones, a mix, and a backup path
  • 04Graphics for names, agendas, and sponsors
  • 05Encoding to the platforms named in the brief
  • 06A recording of the programme as it went out

The standard

Named in the proposal, specified under Broadcasting

This engagement does not reprint the fleet. It names which published system the venue needs.

  • 01

    The system

    An OB van or a flypack, chosen on those pages and written into the proposal.

  • 02

    A directed programme

    Switching, graphics, and a stream, with a person responsible for each.

  • 03

    More than one destination

    Public platforms and a private feed, taken from the same programme.

  • 04

    A region, as well as a city

    The same standard in Dubai and in the Gulf cities MAP already works.

Process

How a live engagement proceeds

The sequence is confirmed in the proposal before the crew and the rig are booked.

  1. 01

    Brief

    Venue, date, and where the programme must be seen.

  2. 02

    Specify

    The system, the cameras, the graphics, and the destinations.

  3. 03

    Direct

    The live programme for the room and the stream.

  4. 04

    Deliver

    The programme as it went out, and the recording.

Questions

Engagement questions

Request a proposal

Send the venue and the date. MAP will reply with the rig, the crew, and a written proposal.

Request a proposal

Dubai Production City

B29, Dubai Production City, United Arab Emirates